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In her feud with Lana over who Superman loved (and in her obsession with Superman's secret identity), Lois seemed intent on proving that she could be just as silly and frivolous as the feminine mystique required. On the surface, Lois Lane because just such a woman. This characterization of Lois as flighty, impulsive and frivolous was in tune with the attitudes of post-war America, the era of what Betty Friedan has called 'the feminine mystique.' Women, according to the feminine mystique, attained personal fulfillment only through marriage, motherhood, and homemaking. These portrayals of Lois and Lana, Williams points out, are identifiable products of their era:
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Williams points out that in 1959's "The Girl Atlas," the story begins with Lois chasing the "story of the century," in which a scientist has invented a formula that will give humans superpowers-but then Lana appears on the third page of the comic and mentions to Lois that if she (Lana) bathes in the formula, "Superman would know my life could never be in danger from his enemies-and we could get married!" And from that point on, the "story of the century" plotline falls away and the story becomes about Lois and Lana's competition over Superman. Superman, meanwhile, regarded both women as "annoyances, whose feuding kept him from work."īy contrast, Lois's desire to succeed in journalism took a backseat to her desire to marry Superman (and stop Lana from doing so first). Williams points out that Superman, meanwhile, regarded both women as "annoyances, whose feuding kept him from work." Lana and Lois spent much of the 1950s and 1960s competing over who would become Superman's wife. The two women then spent much of the rest of the 1950s and 1960s competing over who would become Superman's wife.
Lois lane man of steel tv#
The adult Lana arrived in Metropolis in 1952 and asked Clark to help her find a job with help from Lois Lane, she became a TV reporter.
Lois lane man of steel series#
Lana had appeared as a supporting character-Clark's childhood next-door neighbor-in Superboy, a series about Clark Kent as a young boy discovering his powers (and starting in 2001, she was teenage Clark's love interest on the WB's Smallville, played by Kristin Kreuk). Mort Weisinger then took over as the editor of Superman in the early 1950s, and Lana Lang made her debut shortly after. As females rapidly entered into the work force during World War II, Lois remained "never quite as self-sufficient as she believed," Williams writes, reinforcing the notion that "women who were surviving during the 1940s without the help of men would have to fall back onto traditional relationships when the war ended." Often, the Man of Steel even disapproved of how aggressive Lois could be. In other words, despite the progressive portrayal of Lois Lane as a single woman with an outside-the-home career, Superman's adventures often derailed her work pursuits. "While the comic book's female protagonist, reporter Lois Lane, represented a positive image for that portion of the audience which expected to see strong, independent women portrayed in popular culture, the outcome of these stories frequently reinforced the idea that female autonomy was temporary and illusory." Williams, of Wayne State University's Speech Communication and Journalism department, wrote in a 1990 Journal of Popular Culture article about female rivalry in Superman. In its original 1930s comic-book incarnation, Superman "synthesized two opposing strands of thought regarding female autonomy," J.P. Sorry, Syracuse: Why the 'Hot Hand' in Basketball (Maybe) Isn't a Real Thing.The Anthropological Reason It Feels Weird to Dance to Brubeck's 'Take Five'.Will the '70s Be as Unkind to Don Draper as They Were to Real-Life Mad Men?.